Bitcoin Has Died Nearly 500 Times as Bear Market Bottom Signals End of Crypto

Bitcoin Has Died Nearly 500 Times as Bear Market Bottom Signals End of Crypto
  • Bitcoin has been declared dead 465+ times from 2010
  • Over 124 articles claimed crypto was dead in 2017.
  • The first such claim was made in 2010 by the Underground Economist when Bitcoin was trading at $0.23.

Renowned Indian Author Chetan Bhagat wrote a column declaring that crypto is dead. Is it the sign at the bottom?

The article from the well-known author Chetan Bhagat focuses on how crypto is dead due to the collapse of FTX. He expressed his strong anti-crypto opinion stating that crypto is like communism which promises decentralization but ultimately leads to power in the hands of a select few.

Bitcoin declared dead 465 times.

Bitcoin has been declared dead 465+ times, according to a page in 99Bitcoins, that counts the total reported Bitcoin obituaries. The Underground Economist made the first such report with the title, “Why Bitcoin can’t be a currency,” when the price of Bitcoin was $0.23. The article is no longer live today.

Satoshi Stacker, a well-known crypto analyst, predicted that as more and more people hear about the damage caused by FTX, there will be more reporting on “Crypto is Dead.”

Is the bottom in?

The crypto community believes that such articles are a signal for the bottom. Usually, during the market bottom, the FUD (Fear, Uncertainty, and Doubt) is at its peak. The frequency of articles claiming the death of crypto increases. The chart below shows that most articles with bearish sentiment were written when the market was preparing for a rally in Nov 2013.

Bitcoin bottom
Source: 99Bitcoins

Similarly, 93 obituaries were reported when the market bottomed in 2018. In 2020 various reports claimed Bitcoin was worthless, dead, and rat poison. The exception to this was in 2017 when over 124 articles were written declaring crypto dead due to multiple bans on crypto exchanges, Initial Coin Offering (ICOs) in China.

 

 

Source: https://beincrypto.com/bitcoin-has-died-nearly-500-times-as-bear-market-bottom-signals-end-of-crypto/

 

Anndy Lian is an early blockchain adopter and experienced serial entrepreneur who is known for his work in the government sector. He is a best selling book author- “NFT: From Zero to Hero” and “Blockchain Revolution 2030”.

Currently, he is appointed as the Chief Digital Advisor at Mongolia Productivity Organization, championing national digitization. Prior to his current appointments, he was the Chairman of BigONE Exchange, a global top 30 ranked crypto spot exchange and was also the Advisory Board Member for Hyundai DAC, the blockchain arm of South Korea’s largest car manufacturer Hyundai Motor Group. Lian played a pivotal role as the Blockchain Advisor for Asian Productivity Organisation (APO), an intergovernmental organization committed to improving productivity in the Asia-Pacific region.

An avid supporter of incubating start-ups, Anndy has also been a private investor for the past eight years. With a growth investment mindset, Anndy strategically demonstrates this in the companies he chooses to be involved with. He believes that what he is doing through blockchain technology currently will revolutionise and redefine traditional businesses. He also believes that the blockchain industry has to be “redecentralised”.

j j j

Interview with JETGALA- NFT (Art): A Primer

Interview with JETGALA- NFT (Art): A Primer

Crypto entrepreneur Anndy Lian weighs in on the phenomenal growth of NFTs, and its implications on art creators, vendors and buyers, and the creation of art itself

By Victor Chen, Photos courtesy of Anndy Lian/BigONE Exchange

 

Posted on 19 May 2022.

In 2020, Christie’s sale of the digital artwork, Everydays – The First 5000 Days by Beeple, for US$69.3 million captured the attention of the public, artists and creators, remarks Anndy Lian, Chairman of BigONE Exchange, provider of a trading platform for various cryptocurrencies.

The NFT trend further intensified with the sale of Larva Labs’s Cryptopunks for US$17 million – and has not waned since, he continues. “Those sales are well known and talked about, but what remains somewhat obscure is how the blockchain-based NFT technology provides a transparent record of price, ownership and authenticity, all of which are well suited to the needs of creators, sellers and buyers in the art market,” Lian remarks.

An NFT is a digital representation of an artwork that is registered or ‘minted’ in a digital database called a blockchain. Among the biggest changes that it is anticipated to bring are the transparency in the ownership and exchange, and the importance of digital art.

“Certainly, for the needs of any growing two-sided marketplace to continue thriving NFTs offer distinctly powerful advantages: for creators, it provides an open network with the opportunity to express one’s creativity and prove ownership, and for collectors, it’s a readily accessible way to own and express their taste in a digitally native world.”

As with investing in cryptocurrency, it’s important, especially when buying an NFT artwork, to ensure it is safe and profitable. This requires doing proper research into the artwork, and setting up an account in a well-known marketplace safely and securely, advises Lian. “It’s important for people to realise that in the NFT world security is one’s own responsibility,” he cautions. “There’s no call center to sort it out for you when things go pear-shaped.”

Safety includes simple but important steps such as using a password manager to create and store one’s passwords for registering with NFT sites like OpenSea or LooksRare, Lian advises. Both marketplaces offer helpful guides to installing and connecting a wallet to the platform, buying an NFT artwork at a fixed price or in an NFT auction, and selling them when the time comes, which includes creating a sale listing to accepting an offer, Lian says. They also provide information on how artists can go about creating their first NFT artwork. “Remember that NFTs do not provide ownership of the underlying digital asset. So, make sure you also have a contract to prove your ownership of the asset itself, in case it is required.

“Ultimately, however, it’s down to participants and collectors to find artists with enduring creative value, not just to make a quick buck on. These will be the most profitable as long-term investments, like investing long-term in cryptocurrency you know will only grow in value such as Bitcoin.”

Lian asserts that understanding what the numbers mean is crucial in assessing the NFT marketplace. “For example, in August last year, OpenSea exceeded $1 billion in gross market volume year-to-date for the first time. By late 2021, it had grown so much that it processed $3.2 billion in volume in the month of December alone. Meanwhile, data shows that OpenSea currently has around 1.75 million users.

“But what’s special about growing this marketplace, supported by the decentralised blockchain technology, is the way it also allows participants to learn about the space from a modest purchase, and the qualitative benefit of being able to connect directly with artists and creators.”

This educates buyers and collectors from these conversations, which builds sustainable value in artist’s work at a human and a market level, Lian reasons. “And with global brands like Nike buying NFT startup RTFKT Studios last year, positioning it as a brand leveraging cutting-edge innovation to create a ’next generation’ collectibles culture, the wider market for creative NFTs is only going to grow further. Indeed, Nike’s virtual sneakers will help deliver an immersive experience in the metaverse—another huge growth area for artist’s NFTs as well as forward thinking brands.”

Tracking Lian

Founded in 2017 and registered in the Netherlands, BigONE operates in Russia, Brazil, Vietnam, Seychelles, Singapore, Japan, and Indonesia, providing marketing, investment, and blockchain technology R&D.

As Chairman, Lian runs the group’s crypto online channels, from Twitter to Reddit, providing insights on such topics as the metaverse, NFTs, and the latest crypto regulation in Singapore as an incentive to get their users involved. For example, BigONE empowers and encourages women to participate in the blockchain space.

Lian also heads the communication for BigONE products, including liquidity mining, and spearheads partnership with select new projects that seek the listing of their token on the BigONE exchange.

Bringing over 15 years of experience in Asia working in various industries for local, international, and publicly traded companies, Lian is concurrently the chief digital advisor at the Mongolian Productivity Organisation and a blockchain investment partner at Passion Venture Capital.

Previously, he served as the blockchain advisor for Asian Productivity Organisation (APO), an intergovernmental organisation and advisory board member to Hyundai DAC, the blockchain arm of South Korea’s Hyundai Motor Group.

 

SET UP YOUR NFT by Anndy Lian

NFTs are used to acquire an artwork. To do this, a buyer (or a seller) must purchase a well-recognised cryptocurrency, say, Ethereum (ETH for short). An Ethereum is similar to a Bitcoin; however, unlike a Bitcoin, it is designed to support several applications making it the cryptocurrency of choice for acquiring NFTs.

To buy an Ethereum, two things must be set up: a crypto exchange account and a Metamask browser wallet where the Ethereum bought from a crypto exchange will be eventually transferred. The Metamask wallet is what is used in transacting in the NFT marketplace, such as OpenSea, to buy or sell an NFT artwork. Currently, the most popular Metamask browser extension is in the Chrome browser.

Once the Metamask extension has been set up, its address is released to the buyer and the Ethereum is transferred to that wallet address. With the complicated part of the setting up an account out of the way, transactions are fairly easy.

Explore Before Acquiring

A good way to start acquiring NFT artwork is by exploring the market. This is similar to visiting galleries to ascertain what are available for acquisition. Popular marketplaces, such as Opensea, offer many different NFT artworks for sale. Using the access provided in the Metamask wallet, a sale transaction can then proceed. When buying an NFT artwork, both the cost of the NFT as well as the transaction, also known as the ‘gas fee’, are to be paid.

In some cases, especially for NFT artwork that are priced lower, the gas fee can be greater higher, so it’s good to be aware of that from the outset. Once an NFT artwork is bought, it can be sold for a higher price, less 2.5 per cent that goes to OpenSea and a creator royalty that goes to the original creator.

This where NFT artworks contain what’s known as a smart contract, an automated blockchain-based process that gives the artist a percentage of any future sale of the token.

Do Your Homework

To assess whether an NFT artwork is worth buying, a few checks must be made. Firstly, for any given NFT artwork, the selling history must be reviewed. Are people are buying or selling the NFT? If not, and you buy an NFT then you could be stuck with an item that’s hard to sell.

Another good indicator in OpenSea is to look at the overall collection and see how much is being sold, in other words what the volume is.  In other words, you want a NFT that has had many buys and sells, that’s what is termed ‘Liquid’ so you can easily sell it if you wish to cash in your investment.

Connected to that you want to see if the NFT over its history has been rising in price. Plus, its worth checking the ‘floor price’ to see the lowest cost of NFTs in a collection, so if you need to sell you can more easily sell if you have a NFT nearer the floor price. Finally, it’s worth Googling the collection’s community, to see how well supported they are in channels such as Discord and Twitter to judge the demand for the NFTs from a creator/artist.

 

 

Original Source: https://www.jetgala.com/nft-art-a-primer/

Anndy Lian is an early blockchain adopter and experienced serial entrepreneur who is known for his work in the government sector. He is a best selling book author- “NFT: From Zero to Hero” and “Blockchain Revolution 2030”.

Currently, he is appointed as the Chief Digital Advisor at Mongolia Productivity Organization, championing national digitization. Prior to his current appointments, he was the Chairman of BigONE Exchange, a global top 30 ranked crypto spot exchange and was also the Advisory Board Member for Hyundai DAC, the blockchain arm of South Korea’s largest car manufacturer Hyundai Motor Group. Lian played a pivotal role as the Blockchain Advisor for Asian Productivity Organisation (APO), an intergovernmental organization committed to improving productivity in the Asia-Pacific region.

An avid supporter of incubating start-ups, Anndy has also been a private investor for the past eight years. With a growth investment mindset, Anndy strategically demonstrates this in the companies he chooses to be involved with. He believes that what he is doing through blockchain technology currently will revolutionise and redefine traditional businesses. He also believes that the blockchain industry has to be “redecentralised”.

j j j

FOMAMAG: ALLEVIATING THE FEAR OF MISSING ART

FOMAMAG: ALLEVIATING THE FEAR OF MISSING ART

Do you have FOMA (Fear of Missing Art)?

If you have a fear of missing art, check out the aptly named FOMAmag. It’s the international online mag for immutable culture. Discussions & insights into the digital art movement.

The layout of FOMAmag is pretty cool; its design is like an old-school physical magazine that you flip through online. And there’s a lot of art. You can click on a piece of art in an article – and it will take you directly to the page where you can purchase the said piece.

You can learn more about such digital art collectables as A CryptoPunk from 1844done in the style of French painter Gustave Courbet.

(Barabeke’s modernist interpretation of pixel art, using just one picture repeated thousands of times, with hundreds of variations/glitches spread upon its most basic pixel form. Explore in the video below the details of this 4K digital artwork based on a self-portrait of Gustave Courbet).

Then there is COnform by Cultlitz – with the description that uses extreme brevity: ‘Comply With What They Say.”

In addition to being a good showcase for seeing the most latest art in the digital space, there are also stories in Issue #4 with collector/blockchain expert Anndy Lian – who is known for such statements as “Blockchain brings new trust to art” and “Create NFTs with a good purpose. Doing shit using NFT as a cover is a big no-no. Regulations will catch up.” As well as an article from Ukrainian digital artist, Yalo.

Taking the cover art reins, you can find such artists as ROBNESS V2 – doing his rendition of McFoma’s.

I DIDN'T GET HIRED AT MCDONALD'S………..BUT…….I DID GET HIRED SOMEWHERE ELSE AND COMING MARCH WE WILL BE BRINGING SOME NICE MAGAZINE COVER NFTS TO THE WORLD.@fomamag #NFT pic.twitter.com/JTiiuy1E2D

— \u2591R\u2591O\u2591B\u2591N\u2591E\u2591S\u2591S\u2591-\u2591V\u25912\u2591\u30ED\u30D6\u30CD\u30B9 \u30D0\u30FC\u30B8\u30E7\u30F32\uD83C\uDDFA\uD83C\uDDF8\uD83C\uDDEB\uD83C\uDDF7\uD83C\uDDFA\uD83C\uDDE6 (@ROBNESSOFFICIAL) February 16, 2022\n“,”url”:”https://twitter.com/ROBNESSOFFICIAL/status/1494018790597677059?s=20&t=Ozl7mobLYZO6WJFi4xkCUg”,”resolvedBy”:”twitter”,”floatDir”:null,”providerName”:”Twitter”,”customThumbEnabled”:false}” data-block-type=”22″>

FOMOmag is accepting submissions for content from PFP projects to angry rants about the NFT space. Read it, contribute to it, it’s worth checking out.

Submission form for content We take all comers, Wanna promote your new #PFP #P2e #nft #cryptoart or just rant about something. Well submit https://t.co/piDMx4nULg@robnessofficial @SaschaBailey @TroyFitzpatric @Reviiser

— FOMAmag (@fomamag) December 3, 2021\n“,”url”:”https://twitter.com/fomamag/status/1466601310699286532?s=20&t=GQapVJsNSQf4k5wS_HKLCQ”,”resolvedBy”:”twitter”,”floatDir”:null,”providerName”:”Twitter”,”customThumbEnabled”:false}” data-block-type=”22″>

Anndy Lian is an early blockchain adopter and experienced serial entrepreneur who is known for his work in the government sector. He is a best selling book author- “NFT: From Zero to Hero” and “Blockchain Revolution 2030”.

Currently, he is appointed as the Chief Digital Advisor at Mongolia Productivity Organization, championing national digitization. Prior to his current appointments, he was the Chairman of BigONE Exchange, a global top 30 ranked crypto spot exchange and was also the Advisory Board Member for Hyundai DAC, the blockchain arm of South Korea’s largest car manufacturer Hyundai Motor Group. Lian played a pivotal role as the Blockchain Advisor for Asian Productivity Organisation (APO), an intergovernmental organization committed to improving productivity in the Asia-Pacific region.

An avid supporter of incubating start-ups, Anndy has also been a private investor for the past eight years. With a growth investment mindset, Anndy strategically demonstrates this in the companies he chooses to be involved with. He believes that what he is doing through blockchain technology currently will revolutionise and redefine traditional businesses. He also believes that the blockchain industry has to be “redecentralised”.

j j j