Where does Singapore’s crypto policy go from here?

Where does Singapore’s crypto policy go from here?

Singapore, the leading economy in Southeast Asia, has long been thought of as welcoming to innovation, particularly in the fintech sector as an engine for growth. With that embrace of innovation came a forward-looking embrace of all things cryptocurrency and blockchain, attracting startups from around the world, with Singapore ranked as the second most popular country for ICOs in 2018. This approach has contrasted with China, which has banned crypto trading and mining, and in the U.S., where the Securities and Exchange Commission sought to play enforcement catch-up, following the ICO boom.

It seemed to the outside world that up until recently, Singapore was leading the way on crypto. As reported last summer, while many parts of the world was hellbent on cracking down on crypto, “crypto players like Binance have found Singapore to be a paradise of opportunity, even while a regulation storm looms over the industry in other parts of the globe.” Even as recently as last October, after more crackdowns on crypto in China, the city-state of Singapore was seen as a chief beneficiary of fleeing businesses.

This liberal status quo persisted even as over 300 crypto companies waited for a license to operate in Singapore under the 2020 Payments Services Act (PS Act), following 2019 legislation from the Monetary Authority of Singapore (MAS). An optimistic 2020 report that the system of providing a temporary exemption from licensing under the new law amounted to “regulatory acceptance.” Which, coupled with Singapore’s robust reputation, ensured it’s “likely to make the country a haven for crypto exchanges and startups over the next few years.”

How off the mark has that prediction proven to be? Fast forward to the start of 2022, with only a handful of licenses awarded by MAS to a few well-resourced and well-connected concerns, coupled with the world’s most popular crypto exchange Binance withdrawing its application and shutting down its exchange operations in Singapore, one wonders: how has the crypto dream for Singapore proved so illusory?

To answer this rhetorical question, let’s go back to before 2020 when Singapore was a powerful magnet for crypto startups and businesses, starting in the ICO boom years from 2017 when the authorities classified crypto as digital commodities.

In March 2018, speaking at Money 20/20, Ravi Menon, the head of MAS, wryly accepted that “not all developers and programmers in the crypto world are anti-establishment anarchists” but expressed concerns about issues around the use of cryptocurrencies for criminal activity, how KYC and money-laundering (AML) regulations applied, and the use of crypto in ransomware attacks. Equally concerning to Menon and MAS is the perceived threat from the volatile nature of cryptocurrencies, and the risk this posed to retail investors. These concerns lie behind the legislation in 2019-20, bolstered further in January 2021 to ensure crypto regulation was aligned with the requirements of the Financial Action Task Force (FATF).

Clearly, what gave the impression of continuity with the liberal pre-PS Act approach was the fact that crypto companies were given a temporary license exemption. And what better way to illustrate this discrepancy between image and reality than an on-camera Bloomberg interview in November 2021 when Menon reiterated the policy aim to make Singapore a global center for crypto business, was based on “strong regulation” to avoid the multitude of risks involved.

“But not to get into this game, I think, risks Singapore being left behind. Getting early into that game means we can have a head start, and better understand its potential benefits as well as its risks,” Menon added for clarity. As the Bloomberg report observed, this forward-looking approach “can be a fine line to tread, given the crypto industry grew up with few regulations, so many players balk at government officials’ attempts to impose guardrails.”

From my perspective, Singapore’s aim has never been to grant all applicants a license, rather to use the process to implement a highly selective approach. “We don’t need 160 of them to set up shop here. Half of them can do so, but with very high standards, that I think is a better outcome,” Menon has said.

Singapore’s current approach is also at odds with the crypto startup spirit of transparency and flexibility. In contrast, under the current approach, MAS rarely if ever tells crypto applicants what is required to succeed. Thanks to the absence of objective criteria available to the public, this gives the impression that MAS favors the elite, with very little real transparency as to why these decisions are made. I’ve heard it argued that MAS should get a free pass as its job is to protect the public, and in that regard, MAS is not alone as a financial regulator in its opaqueness.

In a similar jam as crypto startups in Singapore, the U.K.’s crypto trade body, CryptoUK, wrote to the Chancellor at HM Treasury regarding the crypto asset industry last year. It encountered similar concerns about the pace of crypto regulation, the lack of feedback, and the risks this posed to the post-Brexit economy — all of which echo the situation crypto businesses currently face in Singapore.

So, while I recognize on a basic level that MAS as a regulator is “only doing its job” like the case of the U.K., the danger is the current application process will only benefit an elite handful of larger organizations that have the resources to sit and wait. With the result being, they leave for friendlier jurisdictions. Binance is already reportedly looking to move its corporate HQ to the United Arab Emirates, and when that deal is sealed, no doubt many crypto startups will be sorely tempted to follow suit and move, too.

My aim at the outset in writing this op-ed was to underline my belief in the long-term viability of Singapore’s crypto and blockchain ecosystem, based within a successful financial system that is the envy of Southeast Asia. I also welcome the latest guidelines from MAS designed to warn the public about the risks in trading and investing in cryptocurrency. These advertising guidelines are necessary, correct and forward-looking.

Finally, crypto trading can be dangerously addictive too. Singapore’s National Council on Problem Gambling (NPCG) should take the initiative to create a task force to cope with possible issues derived from crypto speculations or crypto betting. I appreciate this is no simple task, for example, the growth of crypto casinos operated from a decentralized network (DAO) can be a new problem, too, but I believe it is important to act promptly to safeguard the public and to get rid of the industry’s bad actors.

 

Original Source: https://forkast.news/where-does-singapores-crypto-policy-go-from-here/

Anndy Lian is an early blockchain adopter and experienced serial entrepreneur who is known for his work in the government sector. He is a best selling book author- “NFT: From Zero to Hero” and “Blockchain Revolution 2030”.

Currently, he is appointed as the Chief Digital Advisor at Mongolia Productivity Organization, championing national digitization. Prior to his current appointments, he was the Chairman of BigONE Exchange, a global top 30 ranked crypto spot exchange and was also the Advisory Board Member for Hyundai DAC, the blockchain arm of South Korea’s largest car manufacturer Hyundai Motor Group. Lian played a pivotal role as the Blockchain Advisor for Asian Productivity Organisation (APO), an intergovernmental organization committed to improving productivity in the Asia-Pacific region.

An avid supporter of incubating start-ups, Anndy has also been a private investor for the past eight years. With a growth investment mindset, Anndy strategically demonstrates this in the companies he chooses to be involved with. He believes that what he is doing through blockchain technology currently will revolutionise and redefine traditional businesses. He also believes that the blockchain industry has to be “redecentralised”.

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What Is Web3 and What Does It Mean for the Workplace?

What Is Web3 and What Does It Mean for the Workplace?

When the internet was first invented, many thought we were witnessing the greatest invention of human existence. The various iterations of the internet over the decades since has proven that to be arguably true.

The latest of those iterations, dubbed Web3, is called out by some as a transformation of how the internet works that will have effects on not just how we use the web, but also our workplaces as well.

The rise of blockchain technology, cryptocurrency, non-fungible tokens (NFTs) and burgeoning online and 3-D virtual environments collectively known as the metaverse are all primary drivers of this evolution. With spending on blockchain technology alone expected to reach $19 billion by 2024, up from $6.6 billion in 2021, the potential for Web3 to significantly impact the world is enormous, including the digital workplace.

What Is Web3?

At the most basic level, Web3 is a decentralized version of the internet where users can interact, collaborate and own their own creations. However, to truly understand what it is, we should also consider what Web 1.0 and Web 2.0 are.

Web 1.0 was the first iteration of the World Wide Web, ushered in by the introduction of web browsers, where the majority of users simply consumed content through pages built on largely static sites. Web 2.0, driven by the rise of mobile technology and social media, introduced a more dynamic version of the web featuring user-generated content and increased interoperability. Users were creating an increasingly large volume of content but large platforms such as Facebook retained ownership of it. Web3, as it’s come to be known, is the next evolution, and decentralization and democratization are at the heart of it.

Web3 “is based on the idea of a completely decentralized interconnected system of networks that allow us to read, write and own parts of those networks,” said  Shaun Heng, vice president of growth and operations at Delaware-based CoinMarketCap, a price-tracking site for cryptocurrency assets.

Whereas in the mature Web 2.0 version of the internet, users rely on tech giants like Facebook and Google to facilitate access, the decentralized protocols of Web3 will enable users to build and grow their own networks.

“Web3 brings collaboration, community and trust to Web 2.0,” said Medha Parlikar, co-founder and CTO at Switzerland-based CasperLabs, a blockchain technology company. “It will empower the individual, and those entities that engage with their communities will thrive in the transition.”

The idea is that third parties will not be needed to facilitate access, and that Web3 will provide a more human-centric, connected and open web.

How Web3 Will Impact the Workplace

Further Loosening of Physical Limitations on Work

Remote work was built on the cloud technology of Web 2.0 and enabled people to be scattered across the world, creating a type of decentralization. Web3 can take everything a step further and will have major implications for everyone, according to Heng.

“Web3 will revolutionize technology and create what is referred to as the Spatial Web,” he said.

For example, internet connections won’t only be limited to the devices we’ve grown accustomed to such as laptops and smartphones, as there will be easier access to interactive data and information.

“This will result in our workplaces looking, feeling and operating in vastly different ways than we’re used to today,” Heng said. “With Web3, the rigid idea of the office, or even the remote and hybrid workspace, will no longer be the norm.”

Empowers Creators and Freelancers

Over the last few years, concepts such as the gig economy and creator economy have been used more frequently as employees take control of their work lives and avoid being tied down to a single company or job. According to Parlikar, Web3 will decentralize these economies completely.

“Imagine content creators connecting even more directly with their communities than they do today, where even commerce does not need a mediator,” Parlikar said. “Everything happens via the blockchain.”

Accelerates the Rate of Digital Transformation

Anndy Lian, Asia chairman for Netherlands-based cryptocurrency exchange BigONE Exchange, said that Web3 will be an accelerant for new forms of digital transformation. “Web3 is able to bring services and products to people and businesses with high added value because of their assertiveness and high customization,” he said.

The result will be an increase in task automation and more use of AI technology since it can be used in combination with blockchain. “The combination of AI, automation and blockchain — it solves the trust element that we have been battling for decades,” Lian said.

Since it is built on the foundations of blockchain technology and decentralization, Web3 could alter the way people view the workplace and how individuals manage specific tasks. By removing the tether to third parties that currently enable connectivity in the Web 2.0 era, Web3 could give individuals more autonomy and freedom to create their own jobs in the increasingly digital workplace.

 

Original Source: https://www.reworked.co/digital-workplace/what-is-web3-and-what-does-it-mean-for-the-workplace/

Anndy Lian is an early blockchain adopter and experienced serial entrepreneur who is known for his work in the government sector. He is a best selling book author- “NFT: From Zero to Hero” and “Blockchain Revolution 2030”.

Currently, he is appointed as the Chief Digital Advisor at Mongolia Productivity Organization, championing national digitization. Prior to his current appointments, he was the Chairman of BigONE Exchange, a global top 30 ranked crypto spot exchange and was also the Advisory Board Member for Hyundai DAC, the blockchain arm of South Korea’s largest car manufacturer Hyundai Motor Group. Lian played a pivotal role as the Blockchain Advisor for Asian Productivity Organisation (APO), an intergovernmental organization committed to improving productivity in the Asia-Pacific region.

An avid supporter of incubating start-ups, Anndy has also been a private investor for the past eight years. With a growth investment mindset, Anndy strategically demonstrates this in the companies he chooses to be involved with. He believes that what he is doing through blockchain technology currently will revolutionise and redefine traditional businesses. He also believes that the blockchain industry has to be “redecentralised”.

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Does content moderation on platforms like OpenSea amount to censorship?

Does content moderation on platforms like OpenSea amount to censorship?

What are the responsibilities of blockchain companies when it comes to freedom of expression? A controversial cartoonist finds out the boundaries.

“I would describe myself as a transgressive artist,” the conservative cartoonist who calls himself Stonetoss, told Forkast.News. On Nov. 20, Stonetoss released 5,000 non-fungible tokens based on characters found in his work, listing them on Rarible and OpenSea NFT marketplaces. Calling his cartoon characters “Flurks,” Stonetoss said the sale was a huge success, selling out in just over 20 minutes for a total of 420 ETH worth US$1.8 million.

But hours later, both Rarible and OpenSea pulled the Flurks series from their listings without offering an explanation why, adding fuel to the debate over content moderation in the growing NFT marketplace.

Stonetoss is no stranger to controversy — he says he has received death threats in the past — which is why he only wished to be identified by his artist name. His cartoons often depict right-wing interpretations of issues regarding race, LGBT+ rights and vaccine mandates. While the Flurks themselves do not contain any explicit commentary, they do contain imagery relating to these themes, such as Confederate flags and red MAGA hats that are popular with Donald Trump supporters. Stonetoss believes his art was delisted due to the politics that he is associated with, rather than based on the actual content of his NFTs.

But is getting kicked off OpenSea and Rarible a troubling form of “censorship” and an infringement of artistic freedom, as Stonetoss says, or is it within these companies’ right to include only content that they like? With OpenSea alone controlling over 98% of the Ethereum trading volume market share, according to DuneAnalytics, do these blockchain marketplaces have a moral obligation to do more to defend freedom of expression, even if the views may be odious to a majority of its users — especially for a blockchain-powered industry that often champions decentralization as a safeguard to censorship?

Industry leaders themselves seem divided on these issues, and the extent of obligation and responsibilities of blockchain companies when it comes to freedom of expression.

“Whenever we talk about decentralization, it’s not about a cowboy town where you could just come in with anything,” Anndy Lian, founding member of NFT creative studio Influxo, told Forkast.News. “You have to follow the rules.”

Just as a physical gallery has the right to decide what art they wish to exhibit, Lian says NFT platforms are no different — and just because an expression exists as an NFT does not excuse it from the cultural consequence of its message.

“If the artist or the artwork is subjective, there is a chance that it will be removed,” Lian said. “This has nothing to do with [whether it’s an] NFT or not. This happens in the art world, in galleries too. This is surely not about decentralization and decentralization is not about just freedom.”

But others say that’s not really a choice when dealing with centralized systems like OpenSea or Rarible, when combined they effectively control the NFT marketplace — until better systems come along.

“If a company makes a decision that a user doesn’t like, they have the option to leave,” says said Corey Petty, chief security officer at decentralized messaging app and Web3.0 browser, Status, in an interview with Forkast.News. “If you don’t have that option, then companies can do whatever they want and you just can’t do anything about it. Which leads us to where we are today. [They] made a decision. What are you going to do? Leave? There are no other options.”

Stonetoss says he feels singled out by the right-wing politics usually associated with his brand rather than individual Flurks being offensive. The NFTs that got delisted from OpenSea and Rarible also contain symbols associated with the left, such as the rainbow pride flag and the communist hammer and sickle.“If I was a no-name artist, this would not have been the controversy or it would have not have received the reaction that it did,” Stonetoss said in a Zoom audio interview with Forkast.News with the camera turned off.

According to Rarible staff, the platform does not de-list items based on political affiliation. According to OpenSea’s terms of service, OpenSea will delist NFTs if they are determined to incite hate or violence against others.

“The delisting of my NFTs on Rarible and OpenSea was probably the result of a mass report because this is the technique [campaigners] have tried to use many times. The NFTs themselves, I maintain, are benign.”

But least one Twitter user spoke out about the inclusion of some of those symbols on NFTs hosted on the platforms, who said they are anything but benign: “I am losing followers for calling out a project blatantly using confederate flags in their NFTs. I am a racial minority, I grew up in the south, and my uncle was murdered because of the color of his skin.”

Another user in the same thread summarized the debate surrounding the use of the Confederate flag — which represented the slavery-defending states of America’s South, which lost the nation’s Civil War over 150 years ago but is still clung to with nostalgia by some Whites in America — by replying: “Sorry to hear this, I’m from the South and don’t know the pains of dealing with being a minority, I also know people that love the south who don’t look at the confederate flag as racist, I guess it’s hard to know people’s hearts and perspective, we can all learn and grow and show love.”

Neither OpenSea of Rarible had contacted Stonetoss to notify him of the delisting by the time he spoke with Forkast.News. At least one Flurk displayed on the homepage of Stonetoss’s website is wearing a cowboy hat and carrying a Confederate flag.

Rarible and OpenSea did not respond to Forkast.News inquiries for comment.

Will Stone decentralized Web3.0

As the world enters the realm of Web 3.0, Stonetoss’ story represents the glaring need — or cautionary tale, depending on your perspective — of how a decentralized version of the internet built around blockchain technology can dramatically change the gate-keeping powers and kind of content of public platforms.

“What we have is an emergent property of how the internet was built in the first place, that is the client-server model,” said Petty, of Status.”When you aggregate data and pool things like this, it’s inevitable that the people who are custodians of that information will take advantage of it” — including trying to control it in a way to maximize profits.

“That’s where we are today,” Petty added. “We build applications, they aggregate data. They then learn they can monetize that data; they optimize the application for monetization, not the end user.”

With a total trading volume of over US$13 billion, according to DappRadar, OpenSea might be the most important venue for digital artists to find buyers for their NFTs. Stonetoss says his delisting from the OpenSea NFT marketplace was not only a blow to him financially but also might have chilled creators of other controversial art. While Flurks holders are still able to transact peer-to-peer — his NFTs are de-listed but not deleted from the Ethereum blockchain — the infrastructure and culture is not yet available to allow the community to trade with the same ease as they would on a platform like OpenSea.

While the Flurks are not locked out of being traded — Stonetoss also sells them through his own website — OpenSea and Rarible have such an outsized influence on the market that any NFT collection that is not listed on one of these platforms is at a significant market disadvantage.

If the decision-making power to list or not list NFTs for sale were decentralized, would Stonetoss’s Flurks have suffered the same fate?

The moderating voice

In August this year, a series of 7,000 NFTs based around the popular meme Pepe the Frog — a mascot of Hong Kong’s pro-democracy movement in 2019 as well as a symbol championed by America’s far-right —  was removed from the OpenSea NFT marketplace after the character’s original creator filed a notice of copyright infringement with the platform.

OpenSea was quick to remove the content on copyright infringement grounds, but investors were left holding millions of dollars worth of NFTs with no significant marketplace left to trade them.

But when a collection of NFTs that look a lot like Flurks went up on OpenSea, the unauthorized copycat series remains listed on the site.

But should Stonetoss one day decide he wants to enforce his copyright, a truly decentralized platform is likely not going to act on user complaints.

“There is a long history of art that is transgressive and there should be a place for it,” Stonetoss said, admitting he would have trouble finding a physical gallery to display his work, which is why his medium has always been online.

“Those sorts of avenues are even more susceptible to people complaining about having a particular piece of art up,” Stonetoss said. “So, on the whole, I’m actually very optimistic; the whole de-listing event has been a little disappointing in that regard, but I guess it’s part of the growing pains of this sort of technology.”

Anndy Lian is an early blockchain adopter and experienced serial entrepreneur who is known for his work in the government sector. He is a best selling book author- “NFT: From Zero to Hero” and “Blockchain Revolution 2030”.

Currently, he is appointed as the Chief Digital Advisor at Mongolia Productivity Organization, championing national digitization. Prior to his current appointments, he was the Chairman of BigONE Exchange, a global top 30 ranked crypto spot exchange and was also the Advisory Board Member for Hyundai DAC, the blockchain arm of South Korea’s largest car manufacturer Hyundai Motor Group. Lian played a pivotal role as the Blockchain Advisor for Asian Productivity Organisation (APO), an intergovernmental organization committed to improving productivity in the Asia-Pacific region.

An avid supporter of incubating start-ups, Anndy has also been a private investor for the past eight years. With a growth investment mindset, Anndy strategically demonstrates this in the companies he chooses to be involved with. He believes that what he is doing through blockchain technology currently will revolutionise and redefine traditional businesses. He also believes that the blockchain industry has to be “redecentralised”.

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